Label : Booster/Wtpl 2007
Digital release date : 25/06/2007
Digital distribution : Believe for Booster-wtpl-music
Physical release date : 2007
Genre : art rock - ambient - contemporary classical - alternative - soundtrack - experimental - electro acoustic...
Number of tracks : 13 | Duration : 60:00
Musicians : Gerda Rippel (sop. voice)
Sandrine Rohrmoser (mezzo-sop. voice)
Thierry Zaboitzeff (bass guitar, guitars, keyboards, cello, samplers, percussion programming and other virtual instruments)
Composition: Thierry Zaboitzeff
Artwork: posedesign
This album is the original soundtrack of a tribute show to Jules Verne
which took place in December 2005 at the Stade de France - Paris St Denis in front of 130 000 spectators
Babyblaue Seiten (D) - Exposé (USA) - Traverses (F) -
Voyage au centre de la terre - Zaboitzeff & Crew
In December of 2005 the city of Paris celebrated the 100th anniversary of the death of Jules Verne. The festivity’s biggest event was a spectacular musical and optical staging of Verne’s ‘Journey to the Center of the Earth’. On December 17th and 19th, the huge Stade de France (French national stadium) in the Paris suburb of St. Denis was transformed into an enormous crater, and the public gathered in the middle of it. A battery of projectors and 40 000 square meters of screen were employed to show Stéphane Vérité and Philippe Corbin’s optical interpretation of Verne’s novel.
There was a storyteller, who supposedly recited parts of the script, various pyrotechnics and, of course, suitable music. The latter was composed by Thierry Zaboitzeff and performed live by him and his six fellow crew members, floating above the stage on four nine-meter-high towers. Supposedly, more than 130,000 people experienced this event, although I assume this is counting both evenings together. Not many musicians can claim to have performed in front of so many people at once, even though Zaboitzeff must admit to himself that most of them didn’t come to see him.
Nevertheless, a sticker decorates Zaboitzeff’s newest album (spring 2008), pointing out that it ‘contains the album version of the show, which attracted over 130,000 spectators!. At least you find out an important fact : ‘Voyage to the Center of the Earth’ is not a live album recorded in December 2005. Zaboitzeff composed, played, produced and recorded this album before the Paris concert in his studio in Salzburg. He was assisted only by Sandrine Rohmoser and Gerda Rippel’s elegant voices. The rest the Frenchman did all by himself. Zaboitzeff was assisted by further musicians on the two evenings in the Stade de France.
From a musical point of view the listener is offered what one expects from Zaboitzeff and the theme. Compelling sounds, mostly dark and dramatic, flowing powerfully and grandiosely-produced from the speakers. Neoclasssic, highly electrified chamber rock sounds rule here in good Art Zoyd tradition, carried by string sequences, e-guitar, bass, cello, diverse electronic sounds and an endless number of voices, tones and sampler sounds, including some very convincing drum and percussion imitations. For nearly 20 years, Zaboitzeff has used several of them regularly, especially diverse bells. At times the music gets very hectic, almost machine-like, dancing contemporary-electronic-laden out of the speakers. Elegiac soundscapes, sacred sound cathedrals and very symphonic-classical parts are interposed with powerful, at times dissonent erruptions which leave their imprint on the whole. Zaboitzeff (with his typical rumbling voice) and the two women sing quite a lot, mostly without words or in a language either i can’t understand or which is made-up.
"Voyage to the Center of the Earth" offers a very sonorous, at times fulminant, secretive-mysterious trip (to the center of the earth or to other abysses – i can’t discrern many ties to Verne’s novel) which will certainly appeal to the lovers of the Frenchman’s. Of all his solo albums up until now, this one is the most balanced and convincing, even though one can note that Zaboitzeff always works with similar means of sounds and effects.
At any rate, here he has perfected his technique !
Voyage au centre de la terre - Zaboitzeff & Crew
Thierry Zaboitzeff is a name most will recognize from his many years as the bassist/cellist of Art Zoyd, before striking out on his own in the late '90s. At hand are his latest two albums, both dealing with very old familiar concept themes that could be (and have been) disasters in the hands of other artists; instead, Zaboitzeff has given new life to these through very imaginative and unexpected compositional treatments and arrangements. He is never one to be predictable, and these two are quite different from each other as well as from any of his other previous work. Missa Furiosa is an unusual take on the age-old Catholic Mass, with his radical versions of the "Kyrie," "Gloria," "Sanctus," and other parts exploring far reaching musical terrain, be it dark ambient environments mixed with middle-eastern flavored vocal prayer, or heavy repetitive pulsating electronic beats with dense arrangements for multiple voices and choirs, the latter occasionally hinting of the Carl Orff-like side of the classic Magma sound. Zaboitzeff handles most of the instrumentation (bass, cello, keys, guitars, programming, etc.) through numerous overdubs and loops, with guests on drums, violin, oud, and three vocalists. The end result is at once modern and ancient, cold and warm, where unlikely sounds and structures are butted up against one another in sometimes bizarre, but effective juxtaposition. Voyage is another beast altogether, once again featuring prominent vocal passages and choral arrangements, but infinitely darker this time, conjuring up twisted realms of gothic imagery, augmented with a lush cinematic production and interesting bits of folk, classical, avant-garde, and minimalist structures all thrown into the mix. Add saxes and horns (or samples thereof) and judicious use of electronic effects to the instrumental mix this time as well. Both powerful releases that, while fundamentally similar, explore very different moods and perspectives. Both recommended.
EXPOSE (USA)
Peter Thelen
Voyage au centre de la terre - Zaboitzeff & Crew
Thierry ZABOITZEFF’s recording output seemed to have stalled in recent months… but that was only an illusion. It is certainly not for lack of having continued to compose music for various shows.
Undoubtedly, ‘Dr ZAB’s’ most recent coup was his musical contribution to the 2005 show staged at the Stade de France, based on Jules Verne’s *Journey to the Centre of the Earth*, to mark the centenary of the visionary writer’s death. The extensive media coverage the show received helped attract some 130,000 spectators. That said, due to its aesthetic choices, the production was not necessarily aimed at everyone, and its staging – which transformed the sports arena into a crater as dizzying as it was static – caused quite a stir. Be that as it may, the event gave Thierry ZABOITZEFF the opportunity to showcase his music (performed live during the shows) to a very wide audience, the vast majority of whom were unlikely to be familiar with it and had surely never heard anything like it before. The more discerning among them detected parallels with the world of MAGMA; how amusing…
Did Dr ZAB pour holy water into his evil cauldron on this occasion? Of course not. ZABOITZEFF continues to do what he does best: a blend of electro-acoustic music spiced with rock and classical-symphonic accents, featuring that recognisable ‘touch’ and the usual distinctive traits that characterise his work. Vocals, keyboards, samples, strings, percussion and a few wind instruments form the tonal backbone of this ‘anamorphic’ music which, even without its visual counterpart, plays on fantastical suggestion, opening up ever-shifting horizons.
Hieratic sequences evoking tranquil landscapes may give way to more unsettling moments, with electro-lyrical outbursts and martial or breathless rhythms that conjure up nightmares populated by vengeful creatures and sneering spectres – and which, just as suddenly, fade away, leaving only intimate atmospheres of neo-classical chamber music or more ceremonial, even religious, moods.
Whilst, for the concert version, a few musicians accompanied Thierry ZABOITZEFF on violins, saxophones and percussion, the CD version sees him playing all the instruments himself. Dr ZAB is accompanied only by the two singers: the mezzo-soprano Sandrine ROHRMOSER, who previously made a name for herself in *Missa Furiosa*, and the soprano Gerda RIPPEL. Their vocal lines infuse this inner-earthly journey with energy through their unique harmonies; and when these ethereal female voices are set against ZAB’s ghoul-like voice, the effect is all the more striking.
The sonic odyssey undertaken by ZABOITZEFF & CREW is certainly not short of twists and turns, taking the listener on a journey from one scene to the next, each as whimsical as the last. If it is not a journey to the centre of the Earth, it is at least an expedition to the far reaches of the mind and its dreamlike projections, whether serene or troubled.
TRAVERSES (F)
Stéphane Fougère
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