" The idea is to show that this music written in the late seventies/early eighties to the present can be part of our repertoire and be played again whenever the fancy takes us, by new musicians or with new arrangements, that may be spectacular or imaginative. It is a recital, more or less chronological, of the pieces that are considered as our reference or "cult" pieces (our records or CDs are still sold, talked about or reissued 20 or 40 years on). The concert will therefore only include pieces from Art Zoyd's repertoire, from Symphonie pour le jour où brûleront les cités (Symphony for the Day Cities Will Burn) to The Fall of the House of Usher, including Nosferatu, Berlin, Marathonnerre, Phase IV and so on. "
GH
Serge Bertocchi : saxophones
Romuald Cabardos : percussion, pads
Daniel Denis : percussion, pads
Cécile Thévenot : Keyboards
Gérard Hourbette : samplers
Daniel Koskowitz : percussion, pads
Michael Nick : violin
Nadia Ratsimandresy : keyboards
Jean-Pierre Soarez : trumpet
Thierry Zaboitzeff : bass, cello, voices
Sylvie Debare : Technical direction, lights
Pierre Sampagnay : sound
Tim Buquet : backline
Duo, premiere: 17. June 2016, Estruch, Sabadell, Spain
creation, performance: Iris Heitzinger, Dante Murillo
artistic direction, creation, concept: Editta Braun
composition: Thierry Zaboitzeff
lightdesign: Thomas Hinterberger
coaching directing: Arturas Valudskis
dramaturgy: Gerda Poschmann-Reichenau
production: Austrian Ministry of Culture, City of Salzburg,
Region of Salzburg
co-production: L'Estruch Sabadell, Fábrica de creació (Spain)
Österreichpremiere: tanz_house festival Salzburg
19. + 20. Oktober 2016
Photo credits for this page : Art Zoyd - Editta Braun / Artworks : Art Zoyd / video credits: Hannes Klein - explosive egg
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