Dr Zab Vol 2 remastered

Dr. Zab & His Robotic Strings Orchestra
Artist's edition

Label : imd-zabmusic
Digital release date : 19/02/2021
Distribution : iMusician for imd-zabmusic
Genre : art rock - ambient - contemporary classical - alternative - world - soundtrack - experimental - electro acoustic
Number of tracks : 23 | Duration : 67:00
Musicians : Thierry Zaboitzeff (cello, pianos, bass, keyboards, percussions samplers, guitars...)
Composition : Thierry Zaboitzeff
Artwork: Raymond Majchrzak
℗ 2021 Thierry Zaboitzeff
2021 Thierry Zaboitzeff (cover painting by Raymond Majchrzak / Cover design by imd-zabmusic)

About Dr. Zab Vol. 2

Mike Zörnig : Trompettes / Willy De Bläst : Trombone / Luciano Zyllo : C.Tuba / Vladimir Balthazar : Saxes / Heinz Hönnigerer : Clarinettes /
Cecilia Ivitch : Ac.Piano / Ali Abdelkhan : El.Piano / DJ. RsZ : synthés / Manuelitto Fretless : Guitares / Pôl Gomez : Ac. Basse
Valentino Zab : El.Bass / Olaf Fräp Dür : batterie / Fête Nat de la Souffrière : Percussions / Terry Zabinovitch : Voix
Marion Aka Dumbà Dumbà Ensemble : Chœur / Ühn Kordäsohnarck : violon et alto / Abdhullah Izard : Violoncelle
André Maximilien Dusoufflet : Accordéon / Andy Mc Beat-Beat : Harpe Blues
So the musicians of these imaginary and ghostly orchestras were named... 
Recorded at Louise d'Epinay Studios / Av de Verdun Studio Plazza / Unsafe Studio Art Zoyd /Heartbeat Studio Salzburg.
Mixed and mastered by the Fantômatick Crew at Neualm Bellevue.
Special thanks to Paulette for the nice catering and her special attention with the Fantômaticks... 

Dr Zab. Vol. 2 CD original
Atonal Records ACD 3034 : 2001 et Booster 2009
Thierry Zaboitzeff : Composition, basse, violoncelle, guitares, voix, samplers.

dr_zab_vol_2_cd_original

Reviews

Babyblaue Seiten (D) - Impro Jazz (F) - Traverses (F)

by Achim Breiling (2001)

Dr. Zab Vol. 2
Thierry Zaboitzeff released part II of the sound excursion Dr. Zab in 2001. Part I – ‘Dr. Zab & his robotic strings orchestra’ – came out in 1992, while the Frenchman was still a member of Art Zoyd. ‘Dr. Zab Vol. 2’ was recorded by the Fantômatick Band, a Kammerrock formation of more than 20 musicians Zaboitzeff put together just for this album. At least the cd booklet leads you to believe this. If you read the booklet more closely, you will soon guess that behind the musicians’ strange names only one person is performing – Thierry Zaboitzeff. As with all of his solo albums, he alone is responsible for most of the sounds you hear, doing nearly all of the recording and mixing himself.

Of course it is possible that some of the wind and string sounds and some vocals don’t come from sampler, tape or from Zaboitzeff himself, and maybe a guest musician really does make a short (involuntary?) guest appearance. Be that as it may, as on part I, Zaboitzeff produces a very dense network of electronic keyboard and MIDI sounds, canned drums, some bass, various instrumental pieces, all kinds of sounds, snatches of speaking and singing voices and sampler pieces which all together sound musical and rich coming out of the speakers. Four very strange Beatles’ cover-versions are mixed in, sung by the master in his grunting-groaning voice.

The music’s atmosphere is floating and gloomy, recognizable by the sustained numbers from Art Zoyd’s electronic phase. Keyboard strings and bass insure Kammerrock interludes, oboe-like keyboard sounds create elegiac softness while the sounds of Arabic-Far East percussion and plucking instruments lend an ethno-touch, along with several exotic, unnamed voices. The music is at times somewhat strange and crooked, resounding and echoing freely and confusedly. Now and then the whole becomes simpler and ripples by in an unspectacular, almost shallow way (in ’Landregen’, for instance, which is very aptly named).

Those who are familiar with Zaboitzeff’s solo work and the work he did on the last Art Zoyd albums will recognize some similar themes. Apparently, Zaboitzeff likes to re-use old samples. It seems to me that he builds new pieces using fragments of old numbers, like playing with building blocks. Not that pieces are directly copied, but you get the feeling that you’ve heard diverse parts of ‘Dr. Zab Vol. 2’ before.

In that respect, ‘Dr. Zab Vol. 2’ does not offer anything new for Art Zoyd and Zaboitzeff connoisseurs. Listeners who like the Frenchman’s music will still like this album. Besides, this album is much more humorous than most of the others Zaboitzeff has produced. For instance, the strange grunting version of ‘Come Together’ is really cool!

IMPRO JAZZ (F)
by Marc Sarrazy (2001)

Dr. Zab Vol. 2

... To stick to the chronology. Backed by the Fantômaticks (an enigmatic band with an uncertain line-up, given that colourful pseudonyms (Terri Zabinovitch, Valentino Zab … ) rub shoulders without a second thought with an Olaf Frap Dür (on drums, of course), a DJ RsZ or a Fête Nat De la Souffrière … ), Zaboïtzeff has concocted a myriad of atmospheres for us that get underway, unfold and become jumbled by the interruption of new tracks: just like these four Beatles covers (ah! the grey-tinged ‘Come Together’!), music that looks towards the ‘elsewhere’ collides, an exoticism of the strange: damp valleys, exhausting seashores, anaesthetised organisms, desert twilights, sleeping or dead cities, boreal horrors …
Perhaps less sombre than usual, like music centred on the void that reigns when no one remains, yet where everything has already taken place, where the air is filled with the lives that once stirred there, still populated by ghosts.

IMPRO JAZZ (F)
Marc Sarrazy

TRAVERSES (F)
by Stéphane Fougère

Dr. Zab Vol. 2
Nine years after his first digitally recorded escapades with his robotic string orchestra, Dr ZAB returns to haunt our turntables with a fresh crop of tracks, each as varied as the next. This time round, he has assembled a new orchestra, FANTÔMATICK BANDS, whose distinctive feature is that half its members are mortals – no doubt escapees from the Ankou’s cart – whilst the other half are spectres proud of their condition, amongst whom we find the famous singer Terri ZABINOVITCH, the ever-present bassist Valentino ZAB, the indescribable drummer Olaf FRÄP DÜR, and the remarkable Kobaian violinist Ühnn KORDÄSOHNARCK!!… Ah, what a fine bunch they make! This is the orchestra we’d long given up dreaming of!

It’s obviously not easy to tell whether the various vocal timbres and the diverse range of instruments heard here and there are authentic or merely shadows of their former selves – and that’s not the point anyway! Dr ZAB stops at nothing when it comes to using sampled illusions to perfect his cosmetic sound surgery, and in doing so delivers a collection that is, to say the least, eclectic and dense – one that may seem disjointed or uneven, but is certainly not confined to a single perspective. Is that Chinese violin that greets us right from the start (as Marco Polo wrote), disrupted by the explorer’s somewhat jerky letter-writing style, real or virtual? Be that as it may, its ability to set a spellbinding scene is astonishing. And our good Dr ZAB thus recounts to us a host of nocturnal visions, fuelled by baroque anxieties, dark fantasies, futuristic memories and spine-tingling meditations…

Nothing is ever entirely black, nor always completely pink, or blue, or green, or anything else; in Dr ZAB’s stories, colours flit by in a whirlwind, like spectral imprints, ceaselessly morphing to better transport us from one corner to another of the colourful globe or the turbulent bunker of human emotions. From the chaotic ‘Rhumba of the Lame’ to the cheerful ‘Little Italian Dance’, not forgetting the ‘Fanfare with its pachydermic stride’, the world’s folklore undergoes a mischievous check-up; and as if that weren’t enough, our brave doctor piles on the irreverence by ‘rhythm-boxing’ a Gregorian blues and uttering heretical imprecations (Revolution); and, against all odds, ‘Frankenstein-ises’ no fewer than four tracks from the ‘Fab Four’s’ repertoire! Unusual and disconcerting, the music gathered here takes on the air of a soundtrack to some imaginary film. One track – certainly the richest and most thrilling – has, in fact, been christened *Le Film manquant*. It’s up to each listener to find the images to go with it. And whatever you do, don’t ask when the FANTÖMATICK BANDS will be performing live!

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